2024 In Review | The Arts

January

• YS Schools students created and released a short film, “OTIS” — described as a meta meditation on the unpredictable nature of art, among other themes — on the “MLQ Productions” YouTube channel.

April

• Yellow Springs Film Festival, which debuted in fall 2023, presented a Mini-Fest at the Little Art Theatre. The event was a prelude to the main festival held in October.

Actor Chris Young, center, and crew prepare to roll camera for a scene in the horror-comedy short film “…And Then She Laughed.” The film, written and directed by Amy Taylor and produced by local resident Ben Guenther, was shot at a village home on Orton Road. (Photo by Lauren “Chuck” Shows)


May

• Honoring the legacy of the late Julia Reichert, the Yellow Springs Film Festival and PNC Bank announced the creation of the Julia Reichert Award, a $3,000 short film prize to be given to an emerging female documentarian.

• A five-day shoot for a short horror-comedy film was held at a home on the south end of town. “…And Then She Laughed” was written and directed by Virginia-based filmmaker Amy Taylor and is currently in post-production.

October

The annual YS Film Festival returned for the second year, featuring a lineup of screenings of narrative and documentary films, several of which premiered or received awards this year at the prestigious Sundance, Tribeca and Cannes film festivals — as well as guest performances and Q&A sessions.

December

• The Little Art Theatre announced the launch of a new website and a new way for movie-lovers to have some say in what they see on screen on the eve of its  95th anniversary next year.

Feufollet of Louisiana blends traditional Cajun sounds with country, rock and swamp pop. The band played at Antioch College’s Foundry Theater on Wednesday, Feb. 21. (Submitted photo)


February

The Foundry Theater continued its 2023–24 live performance series by welcoming the Southwest Louisiana band Feufollet.

The theater also brought famed singer-songwriter and cult icon Jonathan Richman to the stage for a bare-bones, acoustic set, which was a departure from the high-voltage sounds of Richman’s early musical career.

March

• The World House Choir joined forces with MUSE: Cincinnati’s Women’s Choir for the locally based community choir’s second annual “BREAD & ROSES: A Celebration of International Women’s Day” concert at  the Foundry Theater.

Yellow Springs resident Kylle Harewood, otherwise known as X the Detective, launched a hip-hop night at the Gulch Saloon — a community-oriented night of beats and wordsmithery for listeners and lyricists alike. (Photo by Reilly Dixon)

• Bringing people together through the power of Hip-Hop, Kylle Harewood, whose musical moniker is “X the Detective,” transformed a simple beat machine into a community-building force by hosting Wednesday night beats and rhyme sessions for freestylers and hip-hop enthusiasts at the Gulch Saloon.

• The News featured local resident and music producer Justin “UnJust” Herman, for his efforts to expand the local hip-hop scene through the OPEN Project, where beats flow freely and artists find solace in shared expression.

• The Yellow Springs Hardware Store began hosting musical performances, benefits and comedic improv shows and workshops throughout the year as part of its Hardware Store Sessions.

April

• The World House Choir returned to its home stage in the Foundry Theater to perform a program of music that included the 20-minute choral piece “Weather: Stand the Storm,” written by composer Rollo Dilworth, a music professor at Temple University, setting music to the Claudia Rankine poem “Weather.”

• The Yellow Springs Community Band performed Songs of the Sea, which included everything from traditional sailing songs to the theme for Pirates of the Caribbean.

May

• The Foundry Theater presented a performance by musicians Marisa Anderson and Jim White, with former Yellow Springs resident Porter Fitch opening; welcomed string duo Larry & Joe. Both based in North Carolina; and held the final performance of its inaugural programming season with folk duo Kristin Andreassen and Chris “Critter” Eldridge.

• Yellow Springs Community Music: the Yellow Springs Chamber Orchestra performed the program “Spaces and Textures,” which included pieces by Aaron Copland, Alexander Borodin and Franz Schubert. The Yellow Springs Community Chorus presented “Songs of Spring,” which featured songs and choral pieces by Franz Schubert, Charles Ives, Antonin Dvorak and Ralph Vaughan Williams.

June

“The Outside Presents,” an experimental music performance series had its final show of the first season on Monday, June 10, at the Antioch College Foundry Theater. The series is hosted by Evan Miller, shown here at a performance from earlier this year. (Photo courtesy of Ruthie Herman)

• Experimental music performance series “The Outside Presents” wrapped up its the season  in the Foundry Theater’s black box space. The series — a kind of off-shoot of WYSO 91.3’s late-Sunday-night show “The Outside” aims to expose audiences to experimental music acts from both the Southwest Ohio region and beyond.

• Twenty-seven incarcerated men, members of the NIA Men’s Chorus at Chillicothe Correctional Institution under the direction of local resident Catherine Roma, performed “Les Mis Inside,” a pared-down version of the popular musical with choral arrangements before an audience of invited guests, including a large contingent of Yellow Springers.

July

• Crowds gathered at Tuck-N-Reds Spirits & Wine to benefit Charles “Chuck” Arthur Williams, a local musician fighting cancer. Organized by local musician Danny Sauers, the event, “A Bad Day for Cancer,” featured a host of local acts and raised $1,876 toward Williams’ medical expenses.

August

• Local musicians and educators Cammy Dell Grote, Caryn Diamond, Barbara Leeds and Nancy Lineburgh, revived a local piano ensemble with a history stretching back decades, performing as an eight-hands ensemble as part of the Dayton Music Club’s season-opening September Musicale at Epiphany Lutheran Church in Dayton.

November

The Yellow Springs Youth Orchestra Association held a benefit for its summer camp that featured performances by young band, orchestra and chorus members.

• Yellow Springs Community Music: the Yellow Springs Chorus and Chamber Orchestra presented W. A. Mozart’s dramatic Requiem (K 626), his final — and uncompleted work — in the newly reopened First Presbyterian Church’s sanctuary, which had been cleared of birds and bats. The Yellow Springs Community Band presented “Forgotten Gems from the Library,” a collection of pieces not often performed anymore.

December

The Yellow Springs Community Band, McKinney Middle School and YSHS choirs, as well as some members of the World House Choir performed a holiday concert to a capacity crowd in the First Presbyterian Church’s Westminster Hall.

A holiday concert played to a capacity crowd Monday evening, Dec. 16, in Westminster Hall at the First Presbyterian Church. It was a collaboration between the Yellow Springs Community Band, the McKinney Middle School and YSHS choirs, and several members of the World House Choir. (Photo by Matt Minde)

Yellow Springs Community Music: The Yellow Springs Community Orchestra presented a Winter Solstice concert, featuring works by nordic composers Jean Sibelius, Edvard Grieg and a commissioned piece by Oliver Kentish, featuring David Coleman, trumpet soloist.

January

In January, a new play by Mad River Theater Works, “Keep Marching: The Road to the March on Washington,” delved deeper into the grassroots history of the historic event, particularly what it was like for the thousands who marched, demanding fair wages, voting rights and civil rights protection and an end to segregation for Black Americans. The play — aimed at young audiences, but appropriate for all ages — debuted in the Foundry Theater at Antioch College.

Diana Slickman, left, as Ludwig van Beethoven and Colm O’Reilly as Quasimodo in “The Hunchback Variations,” which the two actors performed March 15–17 in the Foundry Theater at Antioch College. (Submitted photo)


March

• After an eight-year absence, Women’s Voices Out Loud, a long-loved staple of local women’s art and expression, returned to the village at the Herndon Gallery on Antioch’s campus, with an accompanying art installation.

• The Foundry Theater welcomed Chicago-based theater collective Theater Oobleck to its experimental black box theater stage for three performances of “The Hunchback Variations.”

“Roof Man,” Yellow Springs Theater Company’s comedy was performed at First Presbyterian Church earlier this year. The play, written by Yellow Springs local Robb Willoughby, starred Thor Sage, center, as the titular character who refuses to get down from his roof. “Roof Man” also featured, clockwise from bottom left, actors Ellen Ballerene, Seth Ratliff, Saul Caplan, Libby Holley Scancarello and Kayla Graham. (Photo by Reilly Dixon)


April

• The Yellow Springs Theater Company presented the “Roof Man,” a story of world-weary, blue-collar Charlie who refuses to come down from his suburban roof after mounting middle-class problems become too much.

• Young thespians of YS High and McKinney Middle schools presented four performances of “The Addams Family” at the John Legend Theater in Springfield.

May

• The annual 10-Minute Play Festival, sponsored by the YS Theater Company, was staged on the grounds of Yellow Springs High School.

June

• The Mad River Theater Works summer youth theater residency kicked off its second year at the Foundry Theater. Young thespians ranging in age from 8 to 17 were introduced to the ideas and methods of devised theater, or theater created collaboratively without a script from a unifying theme. The residency focused on the theme of “Mystery.”

Local thespians and funny guys Charlie Cromer, Adam Zaremsky and Elliot Cromer took the Foundry Theater stage, Thursday–Saturday, July 18–20, to perform a characteristically over-the-top sketch comedy show, titled “Bigger and Better.” (Photo by Lauren “Chuck” Shows)

• “Bigger and Better,” the third sketch comedy show produced by local duo Elliot Cromer and Adam Zaremsky, and the second accompanied by band The Boogie Bros, elicited laughs from audiences with the staging of three shows at the Foundry Theater.

July

• GravityWorks Circus took to the air for the first time in their home venue, the Foundry Theater, with three performances of “She Grows Wings.” GravityWorks opened in March 2023 as the brainchild of two local residents, Maya Trujillo and Kayla Graham.

October

• Friendship, love, betrayal, reconciliation and a band of forest marauders were enacted when YS High School theater department staged Shakespeare’s “The Two Gentlemen of Verona,” at the Turner Studio Theater in Springfield.

Local resident Louise Smith, left, and New York residents Lizzie Olesker, center, and Peggy Pettitt presented “The Language of Dolls” — a play they wrote collaboratively and which centered questions of racial and cultural identity — at the Foundry Theater. The artists are pictured holding handmade dolls they created for the show. (Photo by Lauren “Chuck” Shows)

• Local resident Louise Smith and New York residents Lizzie Olesker and Peggy Pettitt starred in “The Language of Dolls” — a play they wrote collaboratively and which centers questions of racial and cultural identity — at the Foundry Theater.

December

• All 209 of the fairy tales collected by The Brothers Grimm were presented in a little over an hour through the production “The Brothers Grimm Spectaculathon.” The winter play, presented by the young thespians of McKinney Middle and YS High schools, was a one-act play performed at the Clifton Opera House.

Visual Arts

January

• The News interviewed participants in an Art Book Circle about their months-long artistic collaboration. Ten artists and/or creatives spent the better part of 2023 making 10 books with original art, a page at a time. A new cohort of 30 participants repeated the project over 10 months in 2024. The results were displayed at the library in November and December.

March

• “My Name is Iden” News columnist Iden Crockett,  explored her “dual selves” in the “4 a.m. Girl” exhibition at the Yellow Springs Arts Council Gallery.

The late artist and Yellow Springs resident Raymond P. Harris amid some of his work, in a photo from a 1953 LIFE magazine profile about a group of American artists working in Paris, of which Harris was a part. “Artistry Re-Kindled: The Raymond P. Harris Retrospective Exhibit,” a retrospective exhibition of the work of Harris — who lived in the village from the 1950s until his death in the 1980s — opened April 6 in the Herndon Gallery at Antioch College. (Submitted photo, originally published in ‘LIFE’ magazine)


April

• The artistic legacy of mid-century artist and former Yellow Springs resident Raymond Perret Harris was celebrated through the exhibition “Artistry Re-Kindled: The Raymond P. Harris Retrospective Exhibit,” curated by local resident Ena Nearon, of Ten Talents Network.

June

• The themes of community, nature, connection, heart, people, memory, energy and healing were explored in a News feature about local artist Chris Glaser, who 25 years ago started painting more seriously after a back injury.

• The exhibition “Simple Steps” opened to the public. Curated by Dayton-based mixed-media collage artist and creator Carly Evans, it featured the curator’s work, as well as that of four other creators: Tink, a.k.a. Ashlyn Zerangue, Teri Campell, Becky Potts and Bartek Karas.

Sumayah Chappelle (right) was artist-in-residence at Crome Architecture, where “Renaissance,” an exhibition of ceramic relief works was on display earlier this year. (Photo by Truth Garrett)


July

• “Renaissance,” an exhibition by artist and local resident Sumayah Chappelle, opened at Crome YS. The exhibition both reflected her journeys with her Islamic faith and personal growth.

October

Yellow  Springs hosted two exhibits for the fall 2024 FotoFocus event, “backstories”: photographers Shem Schutte, whose work, “Thinking Positive, Capturing Negatives,” was displayed at Crome YS; and Juan-Sí González, whose exhibition, “Looking for Cuba Inside,” was featured at Antioch College’s Herndon Gallery.

January

• Jane Blakelock, a retired senior lecturer emerita of Wright State University and a 38-year resident of Yellow Springs reviewed local author Jo Ann Kiser’s new novel, “A Young Woman from the Provinces,” which according to Blakelock, “unspools a journey to the self, the only reliable home that is everyone’s birthright.”

April

• The News interviewed author and Yellow Springs resident  Lucrecia Guerrero about her new novel, “On the Mad River,” about life in a fictional 1980s Ohio town and its inhabitants as they confront a changing world and their own changing desires.

Antioch professor of writing and aesthetics Brooke Bryan began the work of reviving some much beloved literary institutions: the Antioch Review as well as the Writers’ Workshop. The first, re-inaugural workshop was held at Antioch’s campus July 8–12. (Photo by Reilly Dixon)


May

• After a four-year hiatus, Antioch College announced that the Antioch Review — the college’s independent literary magazine founded in 1941 —  had re-emerged with a new editorial vision and business model, which included the revival of the Antioch Writers’ Workshop. The workshop, held in July, offered morning seminars, afternoon author meetings, writing practices and other literary events. Featured writers included Kashmiri novelist Feroz Rather and Yellow Springs-based authors Rebecca Kuder and Robin Littell.

August

• The News interviewed Brooklyn-based author and illustrator Nina Crews about her newly published children’s biography, “Extraordinary Magic: The Storytelling Life of Virginia Hamilton.” In her lyrical picture book biography, Crews utilized poetry to tell the story of Hamilton’s life.

September

• The News interviewed local resident and writer Cyndi Pauwels — known to readers by her nom de plume, C.L. Pauwels — about her novel “Fatal Errors.” Fatal Errors is Pauwels’ fourth novel, a crime thriller and mystery, published in August by Crossroad Press.

October

• The Senior Center held a Local Writer’s Series in September and October that brought together established and emerging literary voices.

December

• The News interviewed Dr. John E. Fleming about his memoir, “Mission to Malawi,” which was published in spring. The book details Fleming’s service in the early years of the Peace Corps  — during which he was the only Black American in his cohort — against the backdrop of the U.S. Civil Rights Movement.

The Solstice Poetry Reading, presented by Tecumseh Land Trust and Glen Helen, was held Friday, Dec. 6, 7 p.m., at the Glen’s Vernet Ecology Center. (Photo by Audrey Hackett)

• The 13th Annual Winter Solstice Poetry Reading was held at Glen Helen’s Vernet Ecological Center with the theme “Stillness.” The event featured 10 poets, an open mic, wine reception and the opportunity to purchase publications from the featured poets.

• Local human rights organization H.U.M.A.N., or Help Us Make a Nation, gave the community a way to process post-election worry and rage and ask the question “What now?” through a coffeehouse event co-sponsored by Mad River Theater Works at the Foundry Theater. During the event, villagers were given the opportunity to express themselves through poetry and music, or to say what was on their hearts and minds in conversation.

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Carter’s Virtue Trumps Mendacity

Armed Conflicts, Civil Society, Global, Global Governance, Headlines, Health, Human Rights, Humanitarian Emergencies, International Justice, IPS UN: Inside the Glasshouse, TerraViva United Nations

Opinion

Credit: White House

ATLANTA, Georgia, Jan 3 2025 (IPS) – The fireplace in the State Dining Room of the White House that says, “May none but honest and wise men ever rule under this roof.” President John Adams wrote that in a letter to his wife Abigail in 1800.


Jimmy Carter was by all accounts a wise, just, and decent man—a man of deep religious faith, who was also circumspect—some may say old fashioned—about his rhetoric.

He was refreshingly candid in using the country-boy phrase “I’ll whip his ass!” against Democratic primary opponent Sen. Edward Kennedy. Most reporters in that era considered it too harsh or nearly obscene, so instead, they wrote, “I’ll whip his donkey!”

Carter was honest. When asked by a reporter amid stories of the Kennedy brothers’ sexual indulgences, if he had ever had lust in his heart, he responded straightforwardly, “Yes.” That’s something no other politician would ever do. But it was easy for Carter to admit because he followed the Christian and Calvinist doctrine that “We are all sinners.”

Historians view his administration as a watershed in the civil rights struggle, especially in the South. As president he negotiated the first ever peace agreement between Israel and the Arabs. In his post-presidential years, he made a worldwide impact as a humanitarian.

Civic virtue must be faithful to the original concept of American nationhood—favoring citizens ahead of government. Liberty and justice are the watchwords of democracy, not blind obedience to politicians.

George Washington said, “There exists an indissoluble union between virtue and happiness.” Lincoln advised “Malice toward none…charity for all…firmness in the right.” Carter followed these sentiments at his inauguration with a pledge from the Biblical Prophet Micah: “Do justly, love mercy, walk humbly.”

There are two ways of recognizing people as honest and wise—by their words and by their deeds. Carter told the truth straight out—even if it was inconvenient or might hurt him. His policies were based on simple fairness, especially in his efforts to overcome the endemic racism of the Old South.

By contrast, President-elect Trump is famous for the lies and invective-filled slander constantly dripping from his lips: “When somebody hurts you, just go after them as viciously and as violently as you can…. When somebody screws you, screw them back in spades.” Trump’s brand, he said, means, “Power is the only true value.”

We teach our kids differently. “Be nice,” we always say. Sesame Street TV and First Grade teachers call out children for “Courtesy Lacking.” Why can’t we demand as much from our leaders?

Trump is a symptom of the ills of our society, not the cause. Today most of us tolerate curses and obscenities that would have scandalized our grandmothers. Trump is simply riding the crest of a flood of indecency that already exists among the public.

Let’s bring back civic virtue. Jimmy Carter may be the best example of personal rectitude among US leaders in our lifetimes. Let him be your model—not the empty, sleazy suit that is soon to be the next occupant of the White House.

James E. Jennings PhD is President of Conscience International.

IPS UN Bureau

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A Renewed Vision for Prosperity for Landlocked Developing Countries

Civil Society, Climate Change, Climate Change Justice, Development & Aid, Environment, Featured, Global, Headlines, Human Rights, Humanitarian Emergencies, Least Developed Countries, Natural Resources, Small Island Developing States, Sustainable Development Goals, TerraViva United Nations, Trade & Investment

Opinion

OHRLLS Office Banner. Credit: The United Nations Office of the High Representative for the Least Developed Countries, Landlocked Developing Countries and Small Island Developing States (UN-OHRLLS)

UNITED NATIONS, Jan 3 2025 (IPS) – Over 570 million people live in the world’s 32 Landlocked Developing Countries (LLDCs), spanning across Africa, Asia, Europe, and Latin America. These nations face unique and complex development challenges. Their lack of direct access to the sea, geographical isolation, limited infrastructure, and difficulty integrating into global trade and value chains hinder sustainable development and progress.


The lingering impacts of the COVID-19 pandemic, rising vulnerability to external shocks, climate change, and mounting debt burdens have further compounded these challenges, eroding progress achieved under the last developmental roadmap for LLDCs—the Vienna Programme of Action.

However, a pivotal moment for LLDCs is at hand. In the lead-up to the Third United Nations Conference on LLDCs (LLDC3), to be held next year, the international community has adopted a new Programme of Action (PoA) to guide LLDCs’ development from 2025 to 2035.

UN Under-Secretary-General (USG) and High Representative, cr. Credit: OHRLLS

A new decade of opportunity and progress

The new PoA is a landmark achievement designed to address the structural challenges of LLDCs and accelerate their socio-economic integration into the global economy. This vision focuses on five priority areas critical to transforming LLDCs into resilient and competitive economies:

Structural Transformation and Science, Technology, and Innovation (STI)

Economic diversification is crucial for LLDCs. Their dependence on a narrow range of commodities leaves them highly vulnerable to external shocks. The new PoA prioritizes value-added industries and leveraging technology and innovation to help LLDCs integrate more effectively into global value chains and build more resilient economies.

Digital connectivity, which is pivotal for sustainable development, is also an important focus of the PoA. In 2023, only 39% of LLDC populations used the internet, compared to the global average of 67%. The PoA aims to create regional digital platforms for peer learning and capacity building while increasing support to LLDCs to leverage technology for sustainable growth.

Trade, Trade Facilitation, and Regional Integration

Trade drives economic growth, yet LLDCs account for just 1.1% of global merchandise exports. High trade costs—averaging 30% more than coastal countries—significantly hamper their competitiveness.

The new PoA highlights LLDCs’ interest in establishing a dedicated work programme at the World Trade Organization (WTO) to address their unique needs. It also recommends developing a high-level panel of experts to examine the application of existing international laws on freedom of transit for LLDCs, ensuring that LLDCs can engage in international trade under fairer conditions.

Transit, Transport, and Connectivity

Transport infrastructure is a critical link for LLDCs to global markets. Bridging the current gap—nearly 200,000 km of paved roads and over 46,000 km of railways—will require over half a trillion dollars.

To address this, the PoA proposes an Infrastructure Investment Finance Facility (IIFF) for LLDCs to mobilize resources for sustainable transport infrastructure, thereby reducing trade costs and enhancing connectivity.

Enhancing Adaptive Capacity and Resilience to Climate Change and Disasters

LLDCs face significant vulnerabilities to climate-related disasters. Between 2012 and 2022, 447 such events affected 170 million people in LLDCs—double the global average.

The PoA emphasizes climate-resilient infrastructure, sustainable agriculture, and improved access to climate finance. It also notes LLDCs’ interest in developing a dedicated work programme under the United Nations Framework Convention on Climate Change (UNFCCC).

Lastly, but more importantly,

Means of Implementation

The success of the new Programme of Action depends on robust means of implementation, including adequate resources, technical support, and strong partnerships. The PoA calls for increased development assistance and emphasizes the role of public-private partnerships in realizing its ambitious goals.

Driving Progress through Partnerships – a call for global solidarity and action

The adoption of the new Programme of Action is more than a commitment—it is a renewed call to action. Global solidarity is essential to provide LLDCs with the financial, technical, and capacity-building support they need. Strengthened partnerships and concerted efforts will enable LLDCs to leverage their potential and contribute meaningfully to the global economy.

The upcoming LLDC3 Conference in 2025 will serve as a critical platform to build this momentum and strengthen international collaboration and multi-sectoral partnerships for the implementation of the PoA.

With political resolve, enhanced partnerships, and tangible actions, LLDCs can emerge as dynamic contributors to the global economy, charting a path toward sustainable prosperity over the coming decade.

Ms. Rabab Fatima, United Nations Under-Secretary-General and High Representative for the Least Developed Countries, Landlocked Developing Countries and Small Island Developing States.

IPS UN Bureau

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