5 Worst TV Shows of 2025, Ranked — No. 1 Has a 36 Percent Rotten Tomatoes Score

While 2025 certainly had some great TV shows, it also had a lion’s share of terrible series.

If we’re gonna talk about the best of 2025, then we naturally have to talk about the worst. Not every show is gonna be a hit, not every season 1 is an Emmy nominee. Many of them simply head to the trash — and some trash even gets a second season.

Watch With Us is rounding up the very bottom of our TV watches this year, from an ill-fated Suits spinoff to a goofy political thriller starring Robert De Niro.

We’ve picked and ranked the five worst shows that 2025 had to offer.

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5. ‘Pulse’ — Netflix

If The Pitt was the best medical drama of 2025, then Pulse may have been the worst. The show follows a group of surgical and emergency residents at Maguire Hospital, a trauma center in Miami, as they all vie for the same thing: the position of Emergency Medicine Chief Resident. The residents navigate their personal and professional lives as they handle various medical crises while dealing with the fallout of a massive scandal at their place of work.

Pulse ultimately failed to charm both reviewers and audiences, and it was justifiably canceled shortly after its disappointing debut. Critics ultimately found that Pulse went all-in on tired tropes without doing enough to set it apart from the other hospital dramas like Breathless or even the 86th season of Grey’s Anatomy. If it’s just another medical procedural show, then why not watch something that actually elevates itself like The Pitt? Despite some good acting, poor plotting, annoying characters and a questionable depiction of sexual harassment made this show is one to skip.

4. ‘Zero Day’ — Netflix

Robert De Niro stars as George Mullen, a former United States president who is brought out of retirement by his successor to handle a very special assignment. Mullen has been assigned as head of a group investigating a massive, global cyberterrorist attack that resulted in the deaths of thousands of innocent people. You see a new prestige series starring an acting tour de force like De Niro and you think, “How could it go wrong?”

Well, when it comes to Zero Day, it can go very wrong. The political thriller executive produced by Noah Oppenheim (A House of Dynamite) ends up a totally forgettable experience — a mealy-mouthed commentary on hot-button issues that fails to deliver anything of substance. Even the additional star power of Angela Bassett, Jesse Plemons and Connie Britton can’t help poor screenwriting and middling tension.

3. ‘Monster: The Ed Gein Story’ — Netflix

This is not the first time that Ryan Murphy‘s name will grace this list since the highly prolific showrunner committed multiple crimes against television this year. But perhaps the less offensive to the tastes was Monster: The Ed Gein Story, although it’s really a “lesser of two evils” situation. The third installment of the Monster anthology series follows the life of notorious serial killer Ed Gein while examining his influence on pop culture and true crime.

Critics somehow managed to find more value in Monster: The Ed Gein Story than this list’s next inclusion, All’s Fair, which sports an impressive 6 percent score on Rotten Tomatoes compared to Monster’s 22 percent. The main high point of the show is the ensemble cast’s across-the-board great performances and some stellar production design as well. However, most found Monster to be a repulsive contortion of Gein’s persona while failing to meaningfully comment on pop culture — the only thing Monster: The Ed Gein Story does is indulge in the very thing it wishes to admonish.

2. ‘All’s Fair’ — Hulu

The only reason All’s Fair isn’t number one on this list is that while the show was universally panned by critics, it received enough hate-watches from audiences to justify its continued existence — but just barely. It’s one of those Emily in Paris situations, where the car crash on the side of the road makes drivers wanna crane their necks and get a good look, even though they shouldn’t. It’s the same situation with All’s Fair,  Murphy’s legal drama about an all-female law firm in Los Angeles that managed to clinch a series renewal.

A show that receives the moniker from numerous critics as being “one of the worst shows ever made” is unfortunately going to get a lot of people to watch out of curiosity for how exactly a show could be that bad. In the end, All’s Fair isn’t even a “so bad it’s good” situation because the show is too boring, too shallow and poorly written, to be entertainingly awful, all while helmed by an absolutely forgettable performance from Kim Kardashian.

1. ‘Suits LA’ — Peacock

The television “Flop of the Year” award goes to Suits LA, a remarkably ill-conceived spinoff of Suits predicated on the fact that people enjoyed checking out Suits when it was added to Netflix. But trying to exploit the streaming success of an older show doesn’t mean that a creatively uninspired spinoff is going to generate the same success. The creators behind Suits LA seemed not to understand what made Suits so good to begin with, and instead of trying something new and interesting, they just create the same thing a second time — but worse.

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Suits LA simply tries to transpose the narrative of Suits onto a different setting, but without any of the writing, acting or editing that made the original a great, breezy and bingeable watch. Plus, the show already had a failed spinoff with Pearson back in 2019, which was cancelled after one season and starred one of Suits’ most compelling characters. If a show with an original character couldn’t work, why did they think they could capture magic with an all-new cast playing poorly-written characters? If All’s Fair at least has hate-watch intrigue, Suits LA absolutely has nothing to justify watching it.


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How ‘Emily in Paris’ Season 5 Honored Assistant Director After Death on Set

Emily in Paris offered a solemn tribute to assistant director Diego Borella, who died during production on season 5.

“In memory of Diego Borella,” a title card read at the end of the season finale, which dropped on Netflix earlier this month.

Us Weekly confirmed in August that Borella died at the age of 47 while the show filmed scenes in Venice, Italy.

“We are deeply saddened to confirm the sudden passing of a member of the Emily in Paris production family,” a spokesperson for Paramount Television Studios told Us in a statement. “Our hearts go out to the individual’s family and loved ones during this incredibly difficult time.”

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Borella had collapsed while the crew were preparing a scene at Venice’s Hotel Danieli, according to multiple local outlets at the time. In light of Borella’s passing, the show briefly halted production. Lily Collins, who plays the titular Emily, and her costars resumed filming two days later.

Emily in Paris follows an American marketing executive after she moves from the United States to Paris to begin a new job at a luxury marketing agency. By the end of season 4, Emily was tasked with leading a branch of the company in Rome with new love interest Marcello (Eugenio Franceschini) in tow.

After a whirlwind on-off romance, Emily and Marcello traveled to Venice in the season finale for the city’s fashion week — and the debut of Marcello’s eponymous line. Despite a successful presentation, the couple ended up breaking up when Marcello revealed his plans to move back to Italy to assume control of his family’s fashion house. Emily, for her part, wasn’t ready to say au revoir to the City of Lights.

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Courtesy of Diego Borella/ Instagram

The final episode further hinted that Emily could reconcile with ex-boyfriend Gabriel (Lucas Bravo), who sent her a postcard to “meet [him] in Greece.”

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“Gabriel is important. He’s part of the DNA of the show,” series director and executive producer Andrew Fleming exclusively told Us about the chances of reconciliation for the fan-favorite pair. “When he and Emily are in a scene together, something undefinable happens. They have this chemistry. They do. There’s just something about the two of them that’s very watchable.”

Fleming further teased that there’s more to Emily and Gabriel’s story if Emily in Paris gets renewed for a season 6.

“Looking ahead, they’re part of each other’s journey. Who is to say who Emily is going to end up with, but Emily and Gabriel are going to interact with each other,” the director told Us. “Stuff is going to happen [but] I really can’t say anything about what’s going to happen next season.”

Bravo’s Gabriel left his job running the Michelin-winning L’esprit de Gigi restaurant to serve as the private chef on a British businessman’s yacht.

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“We want to go on a journey,” Fleming said of Bravo’s story arc. “At no point was Luke ever leaving the show permanently.”

Bravo, 37, previously had been critical about his onscreen character, leading to speculation about whether Gabriel would be written off the show.

“The ‘sexy chef’ was very much part of me in season 1 and we grew apart season after season because of the choices he makes and because of the direction they make him take,” Bravo told IndieWire in October 2024. “I’ve never been so far away from him. … There is only so much I can do in the limits of a script. I tried for seasons to bring nuances but we don’t have much liberty on set. We cannot change a word or an emotion. They know what they want and we just have to comply.”

Emily in Paris season 5 is currently streaming on Netflix.


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Say Bonjour to Our Favorite Behind the Scenes Snaps From ‘Emily In Paris!’

Bonjour, everyone — or should we say buongiorno! We know you’re probably binging the fifth season of “Emily In Paris,” which dropped today, and we figured we’d share some of our favorite behind-the-scenes snaps from the show’s cast and crew! ICYMI…


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Inside Bella Thorne’s Spooky-Hot 28th Bday Party … Paris Hilton, More Stars!

Bella Thorne’s 28th birthday party was nothing short of booze, babes, and a good ole’ time — the Hollywood actress tied up in a corset, lookin’ like a dime! Other celebs, like Paris Hilton, showed out in their hottest costumes at The Fleur Room –…


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Charles Spencer Details How He Came Up With Sister Princess Diana’s Eulogy

Charles Spencer is sharing new details on how he crafted his sister Princess Diana’s eulogy at her funeral.

In an interview with Gyles Brandreth on the Friday, October 24, episode of the “Rosebud” podcast, the 9th Earl Spencer, 61, said that the eulogy he had originally planned for Diana’s memorial service in September 1997 was “very different” from what he eventually read.

He explained that he was “in bits” flying back to the U.K. from Cape Town, South Africa, when he started thinking about who could eulogize his sister.

“I had a big, thick address book, and I thought, ‘I want to find someone who’s going to make the speech for her.’ And I got to ‘Z’ and I hadn’t found anyone,” Spencer recalled of the “profoundly emotional moment.”

“[I] got off the plane in Heathrow [Airport], called my mother, I said, ‘I can’t think who’s going to give the eulogy. And I’ve got an awful feeling it’s going to have to be me,’” he continued. “And she said, ‘Well, it is going to be you. Your sisters and I have decided it.’”

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Spencer said that he initially decided to write a “very traditional eulogy” about their childhood and such, but then thought, “Well, this is ridiculous, that’s not who she was.”

He said he soon “realized” that the moment called for him not to speak about the late Princess of Wales but to “speak for her.”

“And I knew I’d been left at that stage — it had no legal standing — but I knew she’d left me as guardian of her sons,” Spencer added of his nephews Prince William and Prince Harry, who were 15 and 12 when their mother died at age 36 after a car crash in Paris in August 1997.

“Obviously, the other parent being alive, that meant nothing, but it meant something to me. That sort of duty, I think,” Spencer said, noting that the now King Charles III would obviously be caring for his sons. “And then I wrote [the eulogy] in an hour and a half and, yeah, that was it, really.”

He admitted that he took a “name-check” to Rupert Murdoch out, deeming it “rather unnecessary,” but kept the rest of what he had planned to say in his touching speech.

The eulogy is “one of the most unforgettable moments in recent British history,” according to “Rosebud,” and detailed her selflessness, strength, beauty and love of family. It also spoke to Diana’s mistreatment by the British media.

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Diana, Princess of Wales. Getty Images

“She would want us today to pledge ourselves to protecting her beloved boys, William and Harry, from a similar fate and I do this here Diana on your behalf. We will not allow them to suffer the anguish that used regularly to drive you to tearful despair,” Spencer said at the time.

“And beyond that,” he continued, “on behalf of your mother and sisters, I pledge that we, your blood family, will do all we can to continue the imaginative way in which you were steering these two exceptional young men so that their souls are not simply immersed by duty and tradition but can sing openly as you planned.”

Spencer has been a champion for both William, 43, and Harry, 41, over the years, notably supporting Harry in January after he settled his legal battle with The Sun. The News Group Newspaper, owned by Murdoch, 94, apologized to Harry “for the serious intrusion” of his private life, along with his late mother’s, for decades.

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Spencer praised Harry following the victory, writing in an Instagram post at the time, “It takes an enormous amount of guts to take on major media organizations like this, and incredible tenacity to win against them. It’s wonderful that Harry also secured an apology for his mother — she would be immensely touched by this, I’m sure, and also rightly proud. Well done indeed.”

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L-R Earl Spencer Prince Charles Prince William Harry and Prince Charles stand alongside the hearse containing the coffin of Diana after the funeral service at Westminster Abbey. Photo by Jeff Overs/BBC News & Current Affairs via Getty Images

Harry and his wife, Meghan Markle, stepped down from their royal duties in 2020 and have since been in disagreement with his father, William and his wife, Kate Middleton.

Harry and Meghan, 44, now live in California with their children, Prince Archie, 6, and Princess Lilibet, 4.

“I enjoy living [in the U.S.] and bringing my kids up here,” the Duke of Sussex said at The New York Times’ DealBook Summit in New York City in December 2024. “It’s a part of my life that I never thought I was going to live and it feels as though it’s the life that my mom wanted for me.”


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